After reaching their peak, conjugal prison visits are all but gone in the U.S. Learn all about these frisky visits in today's episode.
AI Summary
Josh and Chuck dive into the surprisingly complex and often misunderstood world of conjugal visits and extended family visits in American prisons, tracing their controversial origins at Mississippi's Parchment Farm in 1918 to their current decline across just seven states. They explore how these visits have evolved from a racist labor incentive into what criminologists once called an "enlightened" program designed to maintain family bonds and reduce recidivism, while examining the four main arguments used to eliminate them—cost, morality, security, and punishment—and why those arguments largely fall apart under scrutiny. The episode features real stories from families who credit these visits with keeping them together and asks why America is uniquely moving backwards on prisoner family visitation compared to most Western democracies.
Arrested Development
2003
★ 7.9
"The arrested development, no touching, kind of visit, like that's a standard visit. — Josh references Arrested Development's famous 'no touching' visitation policy as an example of restrictive standard prison visits."
— Josh
Dirty Dancing
1987
1h 40m
★ 7.3
"Baby, in the movie, Dirty Dancing was named after Francis Perkins. — In listener mail, a reference to the main character Baby's real name being Francis in Dirty Dancing, named after Frances Perkins."
— Josh
Friday the 13th
1980
1h 35m
★ 6.4
"Go watch 13th, the Ava DuVernay documentary on the 13th amendment. One of the most mind-altering documentaries you will ever see. — Josh recommends the documentary about mass incarceration and the 13th Amendment as relevant to understanding prison labor history."
— Josh
Hobgoblins
1988
R
1h 28m
★ 3.6
"You know where I got that from? Hobgoblins, the Mystery Science Theater 3000 version of Hobgoblins. — Josh references the sound effect he made, which came from the Mystery Science Theater 3000 episode featuring Hobgoblins."
— Josh
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